Skip to content

Commit 49bd0c8

Browse files
authored
Merge pull request #20 from adobe-research/csteinmetz1-patch-2
Adding arXiv link to README
2 parents d27f7a9 + 708c78c commit 49bd0c8

File tree

1 file changed

+5
-4
lines changed

1 file changed

+5
-4
lines changed

README.md

Lines changed: 5 additions & 4 deletions
Original file line numberDiff line numberDiff line change
@@ -7,7 +7,7 @@ Style transfer of audio effects with differentiable signal processing
77

88
[![Demo](https://img.shields.io/badge/Web-Demo-blue)](https://csteinmetz1.github.io/DeepAFx-ST)
99
[![Open In Colab](https://colab.research.google.com/assets/colab-badge.svg)](TBD)
10-
[![arXiv](https://img.shields.io/badge/arXiv-2010.04237-b31b1b.svg)](TBD)
10+
[![arXiv](https://img.shields.io/badge/arXiv-2207.08759-b31b1b.svg)](https://arxiv.org/abs/2207.08759)
1111

1212
<!-- <img width="700px" src="docs/new-generic-style-transfer-headline.svg"> -->
1313

@@ -42,13 +42,14 @@ We present a framework that can impose the audio effects and production style fr
4242
In contrast to past work, we integrate audio effects as differentiable operators in our framework, perform backpropagation through audio effects, and optimize end-to-end using an audio-domain loss. We use a self-supervised training strategy enabling automatic control of audio effects without the use of any labeled or paired training data. We survey a range of existing and new approaches for differentiable signal processing, showing how each can be integrated into our framework while discussing their trade-offs. We evaluate our approach on both speech and music tasks, demonstrating that our approach generalizes both to unseen recordings and even to sample rates different than those seen during training. Our approach produces convincing production style transfer results with the ability to transform input recordings to produced recordings, yielding audio effect control parameters that enable interpretability and user interaction.
4343

4444
For more details, please see:
45-
"[Style Transfer of Audio Effects with Differentiable Signal Processing](TBD)", [Christian J. Steinmetz](http://Christiansteinmetz.com), [Nicholas J. Bryan](https://ccrma.stanford.edu/~njb/), [Joshua D. Reiss](http://www.eecs.qmul.ac.uk/~josh/). arXiv, 2022. If you use ideas or code from this work, pleace cite our paper:
45+
"[Style Transfer of Audio Effects with Differentiable Signal Processing](https://arxiv.org/abs/2207.08759)", [Christian J. Steinmetz](http://Christiansteinmetz.com), [Nicholas J. Bryan](https://ccrma.stanford.edu/~njb/), [Joshua D. Reiss](http://www.eecs.qmul.ac.uk/~josh/). arXiv, 2022. If you use ideas or code from this work, pleace cite our paper:
4646

4747
```BibTex
48-
@article{Steinmetz2022DeepAFxST,
48+
@article{steinmetz2022style,
4949
title={Style Transfer of Audio Effects with Differentiable Signal Processing},
5050
author={Christian J. Steinmetz and Nicholas J. Bryan and Joshua D. Reiss},
5151
year={2022},
52+
eprint={2207.08759},
5253
archivePrefix={arXiv},
5354
primaryClass={cs.SD}
5455
}
@@ -188,7 +189,7 @@ You will need to update the paths in this script to reflect your local file syst
188189

189190
```
190191
./script/run_generate_styles.sh`
191-
``
192+
```
192193

193194
### Style transfer
194195

0 commit comments

Comments
 (0)